INNOVA
582.130Katz.jpg
Darrell Katz The Death of Simone Weil
Jazz,    Innova 582    CD   15

Mystic visionary comes to life with a big band behind her. See One Sheet
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Composers Performers Related Links
Darrell Katz Abby and Norm Group A little feature
Paula Tatarunis Jazz Composers Alliance Orchestra Buy from iTunes
Sherwood Anderson Rebecca Shrimpton Liner Notes

Track Listing Header
Title Composer(s) Performer(s) Length
Renault Darrell Katz
Paula Tatarunis
Jazz Composers Alliance Orchestra
Rebecca Shrimpton
12:42
Gone Now Darrell Katz
Paula Tatarunis
Jazz Composers Alliance Orchestra
Rebecca Shrimpton
7:50
X-Ray Dreams Darrell Katz
Paula Tatarunis
Jazz Composers Alliance Orchestra
Rebecca Shrimpton
10:34
Like a Wind Darrell Katz
Sherwood Anderson
Rebecca Shrimpton
Abby and Norm Group
6:51
Saint Julien Darrell Katz
Paula Tatarunis
Jazz Composers Alliance Orchestra
Rebecca Shrimpton
13:58
November 1938 Darrell Katz
Paula Tatarunis
Jazz Composers Alliance Orchestra
Rebecca Shrimpton
12:12
Almost Paradise Darrell Katz
Paula Tatarunis
Jazz Composers Alliance Orchestra
Rebecca Shrimpton
7:52
One Sheet Text

Simone Weil was a Jew obsessed with Christian and Buddhist worldviews, a mystic who claimed to have visions of a realm beyond reality, and a reclusive philosopher who starved herself to death in 1941.

With music by Darrell Katz and text by Paula Tatarunis, “The Death of Simone Weil” deals with wild imagination, German occupation, desire, fishing, and the Pope. Weil’s story unfolds like a surreal jazz improvisation that seamlessly mixes modern composition and the entire jazz legacy into a mature and personal style.

The alto voice of Rebecca Shrimpton effortlessly captures the subtle shadings of the starkly beautiful text. Boston’s powerfully virtuosic Jazz Composers Alliance Orchestra accompanies with fistfuls of fire.

“The Death of Simone Weil” stands out in the jazz vocal tradition in terms of both scale and ambition, and whose depth and economy of expression are worthy of the subject. All in all, it’s an exciting soirée with the far-out, the insane, and the beautifully strange.

Reviews

John Garelick

There’s an impressive variety of textures, colors, and rhythm in all of the JCA’s collaborations, but it’s never attempted anything like Katz’s Simone Weil. More than an hour long, with a text by Katz’s wife, the poet Paula Tatarunis, this work is eerie and moving, and even swinging. Rebecca Shrimpton sings the lucidly set text.
by Boston Phoenix Top 10 of 2003

Babysue

Sometimes the musicians are perfectly in synch with one another...and at other times things sound like they are quite simply falling apart into eensy teensy pieces. Some segments remind me of the saxophone stuff from early Frank Zappa and Captain Beefheart recordings. This sounds good played soft or really, really loud. Some of the compositions feature vocals, but I prefer the pure instrumentals. Great stuff that doesn't neatly fit into a given category. Definitely a recommended listen...
by

Cadence

...There are moments of glorious polyphony and gorgeous floating clouds of tone and texture. Though frequently the music is idiomatically different, this project is-in terms of its passion, its realization, and its union between disparate forms of expression- worthy of standing beside the epic works of Lacy and others. Very fine music.
by Jason Bivins