The Passage Between

This cd is absolutely a fantastic next step by Hall who manages to create a very fruitful going together of acoustic and electronics due to this strong musical intuitions.

– DM, Modisti

One of the most significant classical saxophone discs for years. 

Despite his training, this composer-player is free of that tight assed “French Classical sax” sound that still hampers new writing for the instrument. This music could also convincingly appear under an Improv rubric. It has fire and teeth. The latter gnash on Carnivore, a roaring thing for sax and electronics. Christian Lauba’s Neuf Etudes for various saxophones has become a contemporary test piece, negotiated with utter confidence. Three Reflections on Eternity is for bari sax and interactive computer, made with collaborator Jonathon Kirk, It’s similar in profile to the opening piece, but Hall’s huge sound on the big horn eddies about impressively in the playback. The mood softens with the title piece, inspired by two paintings of doors and punctuated by Hall’s son’s pre-natal heartbeat and early vocalizations. And then, there’s the unexpectedly tough beauty of Quelque chose que mon pere a tunu a ses mains, inspired by a rough note found several years after his father’s death. The music is neither defensive, pretentious, its quiet progress full of unexpected hard edges. One of the most significant classical saxophone discs for years.

– Julian Cowley, The Wire