Hildegurls
Electric Ordo Virtutum
Innova 712
1. Prologue 2:51
Hildegard of Bingen
2. Act I 13:56
Hildegard/Lisa Bielawa
3. Act II 17:49
Hildegard/Kitty Brazelton
4. Act III 15:05
Hildegard/Eve Beglarian
5. Act IV 19:52
Hildegard/Elaine Kaplinsky
in collaboration with the Hildegurls
6. Processional 3:39
Hildegard of Bingen
Known as "the Sybil of the Rhine," Hildegard von Bingen (1098-1179) was a German abbess, mystic and
writer. She was born to noble
parents, who promised her, their tenth child, to the church. At the age of eight, she became a
novice under the abbess Jutta of Spanheim
at the Benedictine Abbey of Disibodenberg. On Jutta's
death in 1136, Hildegard succeeded her as abbess. About fifteen years later, she founded her own independent
abbey, against the wishes of the local Church authorities.
Although Hildegard was highly educated, she saw herself
primarily as the instrument of God's will. Throughout her life, she experienced apocalyptic, prophetic
and symbolic visions that she eventually codified in three large books. Hildegard's writings include
theological, medical and botanical essays. She also wrote lyric works, letters, lives of saints and the
morality play Ordo Virtutum,
or The Order of the Virtues. About
eighty of her vocal compositions survive.
Hildegard's Ordo Virtutum relates the dramatic struggle between a Soul, the
Devil and a host of allegorical Virtues.
The dramatic text and vocal setting are fully notated. Since sacred vocal
music of the time was accompanied by instruments, it is likely that the Ordo would have been as well. The cast calls for 20 female singing roles (the Soul and
Virtues), a few male singing roles (Prophets and Patriarchs), and the
non-singing role of the Devil (which may have been played by Volmar, Hildegard's secretary). The piece was presumably performed by the
nuns in Hildegard's convent.
It appears to be the oldest surviving Western work of what may be called
musical theater or opera.
In each act (except II),
the Hildegurl who composed/arranged that section
appears as the protagonist, the Soul. (The Soul is not present in Act II,
since she is off in Hell, away from the Virtues.) As Hildegard specifies, the Devil only speaks (and that
largely on tape). For his grievous
error, God has denied him the power and beauty of song.
Credits:
Hildegurls Electric Ordo Virtutum
was developed in workshop at American Opera Projects and received its world
premiere at Lincoln Center Festival 1998.
It was also presented at the World Financial Center Winter Garden and
Edgewood College, Madison, Wisconsin.
Director: Grethe Barrett Holby
Set Design: Franco Colavecchia with
Paula Sjblom
Costume Design: Melissa Bruning
Lighting Design: Marcus Doshi
The Hildegurls would like to thank
those whose work helped make the production possible, among them: Hillary
Jackson; Treva Offutt; Kyler
Brown for vocal coaching; Margo Manhattan Jewelry; Adriano Fagundes
for photography; Sheldon Steiger; Hugo Dwyer for
mastering; The Source, Unltd. for
CD duplication; Jay Cloidt; and Mary Jane Leach.
Others assisted with specific sections of the piece:
„ Act I: Eve Beglarian for
engineering, technical consulting, and post-production. Richard Einhorn for multi-track engineering.
„ Acts II & IV: Brad Garton & Columbia University Computer Music Center for
use of CMIX and SGI Workstations.
„ Act III: Robin Lorentz, violin.
„ Act IV: John Halle for programming assistance (MIDI wands),
David First for DX-7 sample.
Hildegurls thanks Audrey Ekdahl Davidson,
Bruce Hozeski, and Gunilla Iversen for their edition of Ordo
Virtutum, used with the kind permission of Medieval
Institute Publications, Western Michigan University.
Special thanks to American Opera Projects, in particular Grethe Barrett Holby and Charles Jarden, for their invaluable dedication and support
throughout the development of the production.
Photos: Stephanie Berger, © 2008. Copyright belongs to Stephanie Berger.
All Rights Reserved.
Disc photo: Daphne Youree
Innova is supported by an endowment from the McKnight Foundation.
This release is supported in part by a grant from the New
York State Music Fund,
established by the New York State Attorney General at Rockefeller
Philanthropy Advisors.
Innova director, design: Philip Blackburn
Operations Manager: Chris Campbell www.innova.mu