Chance, Love, Logic

While some might claim that Jazz has only one true locus these days, anyone who reads these pages with any consistency will note that amazing music can be found all over the globe. While hardly known as a Jazz metropolis, Minneapolis, like most major metropolitan U.S. cities, has its own scene. Surely one of its most vibrant ensembles is the Ellen Lease/Pat Moriarity Quintet. Despite being musical partners since the early '80s, Lease and Moriarity make their recording debut on Chance Love Logic. After initial absorption of the nine tracks, one has to wonder what the heck took them so long to memorialize their talents. From the firs notes, it is evident that there is an incredibly joyous sense of the love of interaction and music-making no matter the tempo or difficulty in execution. Though there are obvious influences, whther they be avant boppers (like Monk), the AACM, or clasically inspired avant Jazz, the ability of this group to jump over, around and through many stylistic hoops in a distinctive fashion is a delight. 

A cunning Monk tribute, “A Round With Sphere,” hits out of the gate, with its whimsical, peppery groove-making, though it is all Lease here, with her brilliant technical skills on full display. The ensemble is splendid with the Moriarity/Rossum front line proving vivacious and spunky on “Phoebe,” a bright, loping groove that sug- gests Roscoe Mitchell’s “Song For My Sister” or the swings-with-sass of “Orange” and the shuffling punch of “Liner,” a feature not only for Moriarity, but also the Bates/Stanoch team. Speaking of Bates, he proves his vitality on the murky “Chance, Love, Logic” with his urgent lines pushing the ensemble, particularly Lease, who concur- rently tosses off frenetic runs and romantic whisps. As for another vital member of the ensemble, almost every line Rossum touches is inspiring, particularly on “Sudden Deep Green Of Summer,” with its tagline being, “when winter lasts until summer begins” (certainly a meteorological feat known to many in the Upper Midwest), a moving composition that calls upon Rossum’s vibrant acrobatics. For the group’s most demanding moments, look no further than the Braxtonian-like “Phrenology,” with the opening stomp meeting intensified improv. 

While surely under the radar, Chance, Love, Logic, is just the kind of disc one unexpectedly stumbles on every once in awhile that renews one’s faith in the music. For Lease and Moriarity, they better get to it pronto, as they have a lot of lost time to make up for.

- Jay Collins, Cadence